In this overview of how individuals and society have approached death and bereavement during different periods in the history of Western Civilization from ancient times to the 1970s, Ariès presents literary, liturgical, testamentary, epigraphic, and iconographic documentation to categorize Western death cultures as “Tame Death,” “Death of the Self,” “Death of the Other,” and “Invisible Death.”
In this easily accessible book, the author links her own and her daughter’s personal grief experiences and needs with ancient traditions and folk wisdom, arguing that grief offers a collective human connection among cultures and over time.
Employing a comprehensive historical perspective, Borkenau classified different civilizations as predominantly “death denying,” “death defying,” “death accepting,” or “death transcending.” Concerned that modern Western society might increasingly turn to death denial as its primary coping mechanism, he placed his hope in psychoanalysis and science, believing that these disciplines might succeed in making the immortal “personality” more intelligible and restore the balance between death denial and death acceptance in the West. Contrasting the presentation of Borkenau’s concepts of death with the four essays under the rubric of Perspectives on Death in the third edition of Death and Identity (eds. Robert Lester Fulton and Robert Bendikson, 1994) is instructive of how the methods we use – and how we formulate and think about the idea of death - change over time. See also Bregman Volume 1, chapters 5-11.
Chapters 5 thorugh 11 of this volume address the idea of death from the perspective of different world religions in short managable essays.
In this study of the explosion of public memorials in the 21st century, many of them ephemeral on the site of tragic and traumatic events, Doss considers how grief is mediated in contemporary European and American society. She theorizes that these new manifestations of grief are the physical embodiment of new meanings and understanding of death in our contemporary historical and social context.
In this volume related in its theories to her 2008 book, Doss argues that American memorials “underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts.”
This anthology was groundbreaking in its attention to death from the perspective of different disciplines at a time when the topic was largely taboo. Herman Feifel, a psychologist and death study pioneer, sounded an alarm about society’s and individuals’ ingrained tendency to avert their eyes from matters of mortality. Many of the philosophers, religionists, and scientists writing for his volume were concerned with our science-conscious culture not being able to “furnish us with all the necessary parameters for investigating and understanding death.” Feifel saw “a pressing need for more reliable and systematic, controlled study in the field” xv–xvi). Chapters of relevance to the construction of mourning include David C. Mandelbaum “Social Uses of Funeral Rites,” which discusses funeral rituals among several non-western groups from the perspective of a cultural anthropologist (189-217); Edgar N. Jackson, “Grief and Religion,” which proposes that the role of religion – its dogma and rituals - is to bring “essence and existence into working unity” (232) and thus help the grieving person to find meaning in a continuing life and to legitimize the practice of – and need for – grieving (218-233). Herman Feifel “Introduction” (xi-xvi) and Gardiner Murphy “Discussion” (317-340) provide summaries of the contributions and give a sense for the “meaning of death” in America in the mid-twentieth century.
Two decades after publishing his first volume, Feifel laid out the issues that focused the debate on death in the 1970s in his second anthology New Meanings of Death (1977). He noticed that “surface considerations of death . . . have become more lively,” although “Americans still approach dying and death warily and gingerly (4).” Feifel suggested that death had changed from traditionally being “a door” to “becoming a wall” (4). Among chapters relevant to the construction of mourning from the perspctive of the individual, is Robert J. Lifton “The Sense of Immortality: On Death and the Continuity of Life (274-290).”Using a psychonalytical approach he addresses among other concepts the idea of “symbolic immortality.”
This ethnograhic study of rites of passages is -- along with Rober Hertz’s Death and the Right Hand – seminal and typical of early anthropological studies in that it describes, with minor references to Catholic rites, only practices among non-Western groups. It is influential in its argument that ritualization occurs in three stages – before, during, and after the critical event – be it birth, marriage, or death. One chapter reviews the purpose of funerals (146-165).
First published in the UK in 1955, this book contains the famous statements about death being as taboo in the mid-twentieth century as pornography in the 19th. The 1965 volume includes a new introduction pertaining to the United States.
Hertz’ lasting contribution to the study of death and mourning is his socilogical and anthropoligical perspective that takes as its starting point the collective representations – constructions - of the group (as contrasted with the individual) – and the embodiment of emotions in interaction with society.
This anthology addresses differences in practices and traditions among American groups, including some that are not always featured (Hmong, Quakers and Unitarians), and importantly acknowledges the variations created by role of cross-cultural and personal perspectives.
In this volume, Johnson, a psychotherapist and bereavement counselor, and McGee a death educator and pastoral counselor, have compiled chapters by different scholars, summarizing the basic tenets of 19 religious groups about death and the afterlife.
A textbook in thanatolgy, this volume covers a range of topics from an academic perspective.
This book follows in the footsteps of Hertz, and bring the literature up to date since the 1960 translation of Hertz’ Death and the Right Hand.
Taylor’s essay interweaves personal narrative, historical analysis, cultural commentary and philosophical reflection. Followed by Lammerts’s photographs of the graves of the artists, architects, writers, philosophers and musicians who shaped Western culture, it suggests an alternative history of modernism and difficult questions are raised: What place do the modern greats have in the postmodern age? Who decided where and how they would be buried? Who wrote their epitaphs? What do their deaths, and their graves, tell us about their lives and suggest about our own?
A major overview of all aspects of death in different cultures from the perspective of its time period.